This rigorous preparation readies students for a variety of design and engineering jobs related to music and sound in performance. It is also directly applicable to teaching the art and craft of sound design. Students applying to the program should be innately musical, even if they do not play a musical instrument. They should have a love for the spoken word, an appreciation of all music and sound, and be on their way to developing good critical listening skills.
A sound designer must have a natural sensitivity to the entire aural environment. A familiarity with contemporary design tools is also valuable. This program is populated with a variety of individuals who are willing and able to share their perspectives and who can listen to and respect other opinions. A typical incoming class (of three) might include one student strong in composition, one strong in music and sound technology, and one who is a blend of both. What makes the sound design experience unique at Yale School of Drama is the manner in which all five areas of design ' set, costume, lighting, projection and sound ' are integrated. All designers are required to take introductory course work in each of the design areas.
This course work provides students with a core of basic knowledge and the ability to exercise good communication skills through the design process, while helping to build camaraderie and respect among the designers. This ensemble approach provides a foundation for networking as design professionals after graduation. Collaboration is an essential part of the experience at the School of Drama.
Yale University, United States
This rigorous preparation readies students for a variety of design and engineering jobs related to music and sound in performance. It is also directly applicable to teaching the art and craft of sound design. Students applying to the program should be innately musical, even if they do not play a musical instrument. They should have a love for the spoken word, an appreciation of all music and sound, and be on their way to developing good critical listening skills.
A sound designer must have a natural sensitivity to the entire aural environment. A familiarity with contemporary design tools is also valuable. This program is populated with a variety of individuals who are willing and able to share their perspectives and who can listen to and respect other opinions. A typical incoming class (of three) might include one student strong in composition, one strong in music and sound technology, and one who is a blend of both. What makes the sound design experience unique at Yale School of Drama is the manner in which all five areas of design ' set, costume, lighting, projection and sound ' are integrated. All designers are required to take introductory course work in each of the design areas.
This course work provides students with a core of basic knowledge and the ability to exercise good communication skills through the design process, while helping to build camaraderie and respect among the designers. This ensemble approach provides a foundation for networking as design professionals after graduation. Collaboration is an essential part of the experience at the School of Drama.
Yale University, United States
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